Review: Samuel Adams Utopias (2013 Release)

Review: Samuel Adams Utopias (2013 Release)

SAMUEL ADAMS UTOPIAS

Sam Adams continues its annual release of Utopias, a barrel-aged, mega-alcohol, highly expensive brew that stands as one of America’s longest-running “extreme beers” (and which is made without the freeze-and-skim technique that most other high-booze beermakers rely on.

For 2013, Utopias has been “blended with Samuel Adams Kosmic Mother Funk (KMF), a Belgian-style ale barrel-aged for at least nine months (and up to two years) in Hungarian oak tuns,” per the company. This is a big shift for Utopias, and one which is supposed to bring a whole new dimension to the mega-beer. The beer is partly aged in ex-Bourbon barrels, and partly aged in ex-Port casks. It borrows a bit from prior releases, as well as pulling off some new tricks.

Utopias 2013 immediately offers a sweet, maple syrup nose when it’s poured, but this quickly fades, revealing a more brooding, savory character beneath. After a few minutes in a snifter, Utopias 2013 gives off aromas of chestnuts, coffee grounds, and very dark chocolate. The lattermost of these is most prominent in the body, which features a pruny, stewed-fruit character that is much deeper, and more bittersweet than prior versions of this beer. The nose is more Port-like, but the body is all leather and bitter spice, turning almost astringent at times. I do like the added complexity, but the whole affair ultimately starts to fall out of balance, particularly on the mouth-puckering finish.

28% abv. 15,000 bottles made. Also can be paired with a special Utopias-seasoned cigar (which I didn’t review), purportedly the first craft beer-infused cigar ever made ($13).

B- / $199 / samueladams.com 

Samuel Adams Utopias (2013 Release)

$199
7

Rating

7.0/10

A veteran journalist, the author of four books, a published poet, and an award-winning winemaker, Christopher Null has more than 25 years of experience writing about wine and spirits. He founded Drinkhacker in 2007. He also writes regularly about the science of booze for WIRED and is an occasional contributor to ADI's Distiller magazine. He has been a judge for both the American Distilling Institute Judging of Craft Spirits and Whiskies of the World spirits competitions and often works as a consultant, developing formal tasting notes for spirits brands around the world.

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